International Artists’ Residency,
Brooklyn, New York
July – September, 2017
FREE LOVE HURTS
Council of People’s Commissars in Smolny Palace, Petrograd, circa December 1917. Alexandra Kollontai at centre, Joseph Stalin, Vladimir Lenin to her right. Image in the public domain, colour manipulated by Rachel Pearce
Bon Mott – Edward Ounapuu – Caroline Phillips – Jennifer Rooke – Callum Royle – Siying Zhou
Flinders Lane, Melbourne
2 August – 2 September 2017
Opening night: Thursday 3 August, 6-8pm
This exhibition asks six contemporary artists to respond to the radical Soviet feminist activism of Alexandra Kollontai. A sexual revolutionary, an author and a diplomat, Kollontai served as one of the first women in the Bolshevik government’s inner circle after the 1917 Russian Revolution. She fought female oppression and argued that women’s emancipation should extend to their sexuality, as well as their traditional roles in society.
As many of Kollontai’s policies were overturned by Stalin in the 1920s, this exhibition stands as a reminder of feminism’s troubled path, and its powerfully optimistic future.
Curated by Rachel Pearce and Andrée Ruggeri
B O O B
Biased Objects Objective Bodies
Karryn Argus, Stephanie Leigh, Caroline Phillips
Exhibition dates, October 1 – 22, 2016.
Launch event, Friday September 30, 6-8pm.
A collaborative installation of sculptural works by Karryn Argus, Stephanie Leigh and Caroline Phillips, BOOB examines the relationship between bodies and objects through abstraction and materiality. These three artists make things out of timber, fabric, rope and soft stuff that amalgamates in seductive, feminised objects. Their differing forms encompass de-constructed bodies and simplified shapes, formed through handmade and industrialised processes. BOOB questions regimes of power and control, proposing alternate frameworks of elasticity, relation and fun.
This is a 2016 Melbourne Fringe festival event.